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A Language of Our Own (Part 2): Fingerprints (and Newly Discovered EVP)

Updated: 2 days ago

This was the first fingerprint Hans left for me, and it remains one of my favorites. The print appeared only a few months after he officially entered my life in August 2010. According to Hans, he left it as a “holiday” gift on January 1, 2011, though I did not notice and document it until the following day, Sunday, January 2, 2011, at 14:17 according to the image timestamp. The top fingerprint is his. The two fingerprints beneath it are my own, included to show the difference in size and positioning between our hands. I also found it surprisingly difficult to recreate the same slanted angle of his print. I discuss this fingerprint, along with others he later produced, in greater detail below and on the diagramed image above. Photo and design description by Lavavoth Stuart.
This was the first fingerprint Hans left for me, and it remains one of my favorites. The print appeared only a few months after he officially entered my life in August 2010. According to Hans, he left it as a “holiday” gift on January 1, 2011, though I did not notice and document it until the following day, Sunday, January 2, 2011, at 14:17 according to the image timestamp. The top fingerprint is his. The two fingerprints beneath it are my own, included to show the difference in size and positioning between our hands. I also found it surprisingly difficult to recreate the same slanted angle of his print. I discuss this fingerprint, along with others he later produced, in greater detail below and on the diagramed image above. Photo and design description by Lavavoth Stuart.

Introduction: It's Like Learning a Foreign Language


My communication with Hans can be likened to learning a new language. Let’s compare it to German, a language I've tried to learn but find nearly impossible to grasp without immersion. While learning German, I began with the basics, the alphabet with its Eszett and umlauts. I practiced pronunciation, learned numbers and sentence structure, labeled objects around my house with their German equivalents, and approached the process from multiple angles including auditory, visual, written, and verbal. At one point I became so immersed in it that I dreamed in simple German a few times. It felt exciting, as though another layer of reality had begun opening itself to me.


Rather than simply muting the copyrighted music and preserving the footage in its entirety, YouTube removed most of my embodied dance with Hans from the video. See below for additional context regarding the previous name we selected for him (Dylan) before he revealed his identity to me in 2015. This footage was documented on January 7, 2011, shortly after Hans first demonstrated how he could enter my body and manipulate my movements through what I originally termed “walk-in” and now refer to as embodied cohabitation. Only the beginning and end of the interaction remain visible here, which is unfortunate because at one point during the dance, Hans/Dylan causes my Coach clutch, which had been propped upright on the dresser, to slide downward in an eerie manner. The before-and-after positioning of the clutch remains visible within the YouTube edited upload.
Here’s the dark ambient, avant-garde song I danced to with Hans. The Tear Garden was a side-project formed by Legendary Pink Dots (LPD) founder Edward Ka-Spel and Skinny Puppy co-founder cEvin Key. I saw both bands live in Orlando at separate times during my LSD-dropping years, experiences that transformed those already surreal performances into something transpersonal and psychologically dislocating (I saw LPD in 1993 and Skinny Puppy in 1990 at the Beacham Theater, a venue I frequented during my adolescent goth years because of its exceptional concert lineup. I no longer recall which downtown Orlando venue hosted LPD, but the performance itself was unforgettable). I met Edward Ka-Spel after the performance and he signed the vintage green dress I wore to the concert. I used to have photographs that my then-boyfriend took of Edward and me, but after spending 1.5 hours searching through three small photo and memento boxes just now, I fear those photographs, along with dozens of others, were discarded back in 2018 for reasons I won’t get into. Discarding those photographs, alongside selling my Victorian farmhouse, remains one of my greatest regrets within the “objects” category of my life. Weirdly enough, Hans was the one who insisted we dance to this song. I had always assumed he selected it because the spooky track lent itself well to our embodied cohabitation performance. However, while putting this post together, Hans said, “Google the album,” after I found myself thinking more carefully about why he had chosen this particular song (remember, he can read my mind just like any other spirit can. This is a normal skill to possess in spirit form). Once again, as he has done many times before, Hans appeared to be offering hints connected to his recent earthly life. The album was released on April 14, 1993, just days before his birthday and several months before his death.

Building a language with a spirit works much the same way. There is basic conditioning involved, trial and error, and experimentation. I've used divination tools, video, audio, dance, art, witchcraft, writing, dream experience and forms of somatic, tactile, and motor communication (or embodied cohabitation), and have gradually learned what Hans responds to best. He's tried all of this with me and more. Over the years, spirit communication with Hans became total immersion.


This fingerprint is unique in that Hans left it on the inside of my mason drinking jar, formed entirely through condensation rather than oil residue. Again, the characteristic horizontal lines and long oval-shaped finger pad are visible. At first, I assumed the print was on the exterior of the glass. It wasn't until I tilted the jar and allowed the water level to reach the print that I realized the fingerprint itself was composed of condensation, as it immediately disappeared upon contact with the water. This manifestation occurred and was documented on December 10, 2022, at 12:25.
This fingerprint is unique in that Hans left it on the inside of my mason drinking jar, formed entirely through condensation rather than oil residue. Again, the characteristic horizontal lines and long oval-shaped finger pad are visible. At first, I assumed the print was on the exterior of the glass. It wasn't until I tilted the jar and allowed the water level to reach the print that I realized the fingerprint itself was composed of condensation, as it immediately disappeared upon contact with the water. This manifestation occurred and was documented on December 10, 2022, at 12:25.
A glimpse into a Skinny Puppy concert. This was pieced together from their Too Dark Park album tour in 1990, the tour I saw in Orlando, FL.
Another Skinny Puppy performance. “Gas Attack” from VIVIsectVI, one of my favorite Skinny Puppy albums, released in 1988. I’m struck by the projected video imagery behind Nivek Ogre, particularly the superimposition of a swastika over the American flag. Now decades later, the political symbolism is disturbingly prophetic.

Over time, as I became increasingly fluent in his language, our communication evolved more naturally into telepathy. Even so, Hans still enjoys demonstrating his abilities, or perhaps showing off whenever he knows it will provoke emotion or capture my attention. I can be speaking with him internally about something mundane and suddenly an object will move, or an inexplicable sound will emerge, like the distant churn of airplane propellers, just enough to disrupt the ordinary atmosphere of the moment.


This set of fingerprints was noticed and documented on December 12, 2020, at 14:37. The tin box had remained shelved and untouched for months, if not longer, before I retrieved it and noticed the prints on the surface. Three of the impressions are oriented in the same directional flow, while a fourth print in the lower left corner points in the opposite direction. The variation in orientation creates the appearance of separate points of contact rather than a single continuous motion across the surface.
This set of fingerprints was noticed and documented on December 12, 2020, at 14:37. The tin box had remained shelved and untouched for months, if not longer, before I retrieved it and noticed the prints on the surface. Three of the impressions are oriented in the same directional flow, while a fourth print in the lower left corner points in the opposite direction. The variation in orientation creates the appearance of separate points of contact rather than a single continuous motion across the surface.

Most of these experiences occur privately, usually when I am too distracted by daily life to bother with recording equipment. He simply throws a jolt into my reality, sometimes in direct response to what I am thinking, other times because he knows how much I enjoy the interruption.



Hans’s fingerprint left on my art studio window in Stowe, Vermont. Some of his fingerprints contain visible horizontal lines and wrinkling, while others, like this one, appear so saturated with oily residue that little to no surface detail remains visible. This image was documented on March 10, 2021, at 16:39.
Hans’s fingerprint left on my art studio window in Stowe, Vermont. Some of his fingerprints contain visible horizontal lines and wrinkling, while others, like this one, appear so saturated with oily residue that little to no surface detail remains visible. This image was documented on March 10, 2021, at 16:39.

His Fingerprints


In part two of this series, I’d like to discuss Hans’s fingerprints (Part three will focus on orbs and lights, while part four will examine photographic evidence of poltergeist activity). The first print he left appeared on the bathroom window on New Year’s Day 2011 (see top photo with writing). I didn't notice it until the following day, but when I did, I remember shuddering. The print was large, particularly the finger pad. The way the finger twists slightly at the distal joint is also striking. Hans claims his fingers were not shaped that way during life, but that the prints he leaves in spirit appear more deformed because of their etheric nature. The size of the fingers, however, has remained consistent across all of the prints he has left since that first occurrence. In life, he stood around 5’10”, so the scale of the print makes sense, especially compared to my own height at 5’3”.


Photograph of Hans’s full handprint left behind on the dusty surface of a bookshelf in Stowe, Vermont. This remains the only complete handprint he has produced. I discovered and photographed it on October 16, 2020, at 20:39. The image was later processed through filters in Photoshop to enhance the visibility of the print. Photograph by Lavavoth Stuart.
Photograph of Hans’s full handprint left behind on the dusty surface of a bookshelf in Stowe, Vermont. This remains the only complete handprint he has produced. I discovered and photographed it on October 16, 2020, at 20:39. The image was later processed through filters in Photoshop to enhance the visibility of the print. Photograph by Lavavoth Stuart.
The same handprint shown above, photographed on October 16, 2020, at 20:39. Photograph by Lavavoth Stuart.
The same handprint shown above, photographed on October 16, 2020, at 20:39. Photograph by Lavavoth Stuart.

What also distinguishes Hans’s fingerprints is the absence of friction ridge detail, the unique ridge patterns found in the fingerprints of living individuals. Instead, his prints contain numerous horizontal lines resembling wrinkles running across the finger pad. The prints themselves also carry an unusually oily residue, as though the fingers had been coated in something similar to petroleum jelly before touching the surface. In fact, I had to do exactly that to replicate the density and texture of his print in the 2011 photo above.


One of Hans’s more heavily wrinkled fingerprints, displaying the characteristic horizontal lines that appear throughout many of his prints. This fingerprint was noticed and documented on March 6, 2025, at 10:13 in my current home in Vermont’s Northeast Kingdom. He left the print on the glass of the front door.
One of Hans’s more heavily wrinkled fingerprints, displaying the characteristic horizontal lines that appear throughout many of his prints. This fingerprint was noticed and documented on March 6, 2025, at 10:13 in my current home in Vermont’s Northeast Kingdom. He left the print on the glass of the front door.

Hans has left dozens of fingerprints throughout our time together. One of his recurring jokes is that he knows how much I like keeping my computer screens smudge-free, so every now and then he will leave a print front and center on the screen. In fact, and because he's all about participating in my life, he yet again left his print on my MacBook screen (see image below).


His recent print on my MacBook screen, documented on May 20, 2026 at 16:45. It's so dramatically oily. What a jokester.
His recent print on my MacBook screen, documented on May 20, 2026 at 16:45. It's so dramatically oily. What a jokester.

Another way Hans leaves fingerprints behind is in a swooping, curved manner such as these prints left on my glass-top cooktop shortly after I had polished the surface the night before. The elongated smearing and directional movement differ noticeably from his more static finger pad impressions. I documented these prints on October 12, 2024, at 07:48 in my current home.
Another way Hans leaves fingerprints behind is in a swooping, curved manner such as these prints left on my glass-top cooktop shortly after I had polished the surface the night before. The elongated smearing and directional movement differ noticeably from his more static finger pad impressions. I documented these prints on October 12, 2024, at 07:48 in my current home.

Newly Discovered EVP


I edited this footage in CapCut to amplify the section where Hans quietly repeats “Dylan” after I call him by that name. Read below for additional details. This footage was recorded on April 7, 2013, at 22:24. To make the EVP more audible, I isolated the section in which Hans says “Dylan” and selectively increased the audio gain on his voice alone, as it is extremely faint in the original recording. I don't know why the image appears zoomed in during that isolated section, as the original eight-minute, seven-second footage was continuous and uncut. As I’ve mentioned previously, sharing these intimate moments with Hans is extremely uncomfortable for me, but perhaps the footage offers a glimpse into the relationship we have built together and the trust and affection that developed despite our obvious differences in existence.

I’ll be honest, over the sixteen years since Hans first revealed himself to me, I haven’t always organized evidence in one centralized place. Part of the problem is technological. As I upgraded computers or added new ones over the years, the files ended up scattered across multiple devices and external hard drives. Video footage consumes an enormous amount of storage space and anyone who uses Apple products already understands how expensive storage upgrades can become.


While combing through an older external hard drive, I came across a strange peculiarity in my documentation. I have mentioned in previous posts that I recorded hundreds, perhaps thousands, of hours of footage involving Hans over the years, most of it filmed while living in my Victorian farmhouse in Central Vermont. Before the advent of iCloud, much of this material existed across aging Apple devices such as iPods and older iPhones. I mention this because one of the folders on the external hard drive was labeled “Dylan Manifestations.”


I have written previously about Hans cycling through several names before eventually guiding me toward his identity in 2015. Stranger still, when I first asked him in 2010 what I should call him, he selected his actual name from a list I had provided. I immediately rejected it because a close friend of mine from high school, a blond, blue-eyed German, shared the same name, and I did not want to associate him with my sexual relationship with Hans. I remember seeing Hans in my mind’s eye shrug after I said this. As is often the case with him, the memory later returned with startling force once I realized he had been trying to reveal his identity from the very beginning. It was me who kept delaying the recognition process.


So instead, we landed on “Dylan,” which is why I use that name throughout the footage above.


What makes the “Dylan Manifestations” folder especially peculiar is that it contains recordings only from March 28 through April 19, 2013. My birthday falls on March 31 and Hans’s on April 19. Why this folder contains footage exclusively from that span of time remains a mystery, especially considering I recorded constantly during the six years I lived in that house. The folder alone contains 130 videos and JPEG files. Out of all the dates within that range, April 19 contains more material than any other day, over twenty-six videos and JPEGs. Again, it's as though some unconscious part of me already knew who he was long before I consciously understood it. Curiously, there are no videos or images from my birthday itself, though there are two videos from April 1.


I mentioned this briefly in Part 1, though it deserves repeating here. My recordings with Hans are intimate and personal. I feel profoundly uncomfortable sharing many of them because of the way I interact with him and respond to his presence. There is nothing detached or clinical about the footage. I am simply interacting with my deceased lover while he responds, primarily through orbs. I emphasize the word primarily because, while randomly reviewing the footage, one particular video behaved differently from the others and would not open in QuickTime Player. Curious, I imported it into CapCut to see whether it would function there. It did.


While watching the footage, I suddenly noticed something I had somehow missed all these years. After I say “Dylan,” Hans quietly repeats “Dylan” directly after me. Until now, I believed “Yoo Hoo,” captured in 2015, was the first EVP I had recorded from him. Instead, here was Hans speaking in April 2013. It took me thirteen years to notice it. That realization now makes me wonder how many other EVPs I may have overlooked over the years while focusing primarily on the orb phenomena. I have also noticed that when I close my eyes and listen to the EVP rather than watching the footage, the voice becomes easier to hear. See the caption above for details regarding the video.

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