Over ten days, I kept returning to the same images while working through depression and conflict with Hans. Through Eros and Psyche, the work shifted into distance, misalignment, and the inability to reconcile who he had been with who he is now. Still, I stayed with it.

During a ten-day drawing practice shaped by the myth of Eros and Psyche, I tried to draw Hans’s face for the first time in years. Each attempt forced a confrontation between devotion and verification. Making him visible risked shifting him from my unseen companion to the historical man he once was, revealing how the act of seeing can alter the bond itself.